RESULTS ANNOUNCED
Congratulations to the winners of the 2025 Student Design Competition: Filling the Gap
The 2025 CAAJ international student design competition, Filling the Gap: New approaches to Diversion, Healing and Rehabilitation, was launched in January 2025 to focus on the gap created by contemporary crises. These range from the influx of highly addictive drugs, to climate change, war, poverty, discrimination, homelessness, and the suppression of Indigenous culture. Traditional justice institutions such as police stations, courthouses, and custodial facilities are not always able to respond effectively, especially in light of the increasing need for mental health care and support facilities.
Students were invited to speculate on these issues in a design competition for a new community-oriented building that helps to fill the gap. This involved the selection of a site in a community of the competitor’s choice, identification of the specific crisis (or crises) being addressed, and the development of an architectural or urban design solution.
Ninety-four entries were received from students of architecture in sixteen countries. Responses ranged from functional proposals grounded in the reality of their context to more philosophical ideas or commentaries on the chosen context.
While the proposals themselves were unique and varied, the jury noticed several common themes, approaches and preoccupations.
All of the entrants engaged to some degree with the community where their site was situated, some more than others. This community-centered focus was particularly evident in several entries that worked with existing religious structures. The entry “Spaces Secular Needs - An Architecture of Coexistence” sited in Tehran, Iran involved the transformation of existing vacant and underutilized mosques into sanctuaries for vulnerable children. This entry received an honourable mention. “Just a Little Bit of Faith” in Toronto, Canada used a series of interventions to improve the delivery of community programs in an existing religious facility. The submission entitled “Renest: Spaces for Second Chances” set in Dhaka, Bangladesh took community engagement a step further by explicitly including interviews with potential users as part of the research process.
Sustainability and adaptability themes were layered onto many solutions. A number of proposals featured locally sourced materials in their construction, such as bamboo, clay, and recycled materials. Other designs allowed for future flexibility including phased growth, modular scalability, and deconstruction/reuse.
The most common crisis themes explored were humanitarian and social justice topics including homelessness, addiction recovery, post-disaster rebuilding, and gender-based marginalization. The strongest proposals went beyond just a static building design and focused on supporting a process of healing and empowerment. The resulting solutions tended to lean towards modest, context-sensitive solutions that addressed real needs, low-cost, small-scale interventions that “work quietly but effectively” versus iconic architecture.
Several projects used strong conceptual metaphors — bridges, weaving, circular paths — to express social reconnection or rehabilitation. The weaving metaphor was used to represent community interconnection in the highest-scoring project, as described below.
JURY REPORT
WINNING ENTRIES
FIRST PLACE
Bridging the Gap (Viet Nam)
TEAM:
Le Dinh Minh Thu, University of Architecture Ho Chi Minh City
Tran Quang Huy, University of Architecture Ho Chi Minh City




DESCRIPTION
In the face of a growing divide, where minority villages lose young labor and urban youth fall into cycles of crime due to lack of opportunity, this project envisions a safe space that acts as a bridge. It connects at-risk youth with traditional communities through cultural education, skill-building, and shared experiences. The architecture weaves together healing, purpose, and belonging, as a new form of justice rooted in connection. The weaving path serves as more than a physical path; it is a journey of reconnection. Designed to gently weave together the integration of individuals and local villagers, this shared space encourages daily encounters, cultural exchange and mutual understanding. The path becomes a living thread, stitching together broken narratives into a collective fabric of healing and belonging.
JURY COMMENTS
This is a very thoughtful and rigorous scheme. “Tradition is not Static. It breathes through the hands that carry it forward”. Revival, belonging, reclamation and reconnection are the key themes that drive the design. The ‘Bridge’ is a powerful metaphor reflected in the form and connectivity between programs, while representing the opportunity to create a symbiotic connection between generations. The plan is very articulate, divided clearly into a community zone and a fabrication zone. These two zones are seamlessly connected by two Cultural Integration Yards and a number of landscaped courtyards. The linear alignment of built form reflects the natural mountain topography of its site and is elevated above the ground plane to minimize disruption to the natural vegetation. The contemporary interpretation of traditional housing forms gives the overall composition a feel of a ‘cohesive village of care’. The project narrative is well crafted, clear and complete. The graphics are strong and reinforce the storyline of the project.
SECOND PLACE
Maskihkîy-Wâskahikan: Subterranean Healing Through Cree Earth Wisdom
TEAM:
Jin Yufan, South China University of Technology


DESCRIPTION
The design responds to twin crises of youth substance abuse and Indigenous cultural erosion.
A semi-underground Gallery and Reading Lounge overlooks a central medicinal garden and houses interactive exhibits on Cree/Métis traditions. Planted with species sacred to Northern Plains tribes, the sunken garden facilitates intergenerational knowledge transfer by having community members tend plants alongside youth in recovery, embedding rehabilitation within acts of cultural stewardship. A contemporary sweat lodge (mîkiswâpoy) constructed with rammed earth and thermally modified wood is embedded in the ground. Its secluded forest entrance honours ceremonial privacy. By physically centering Indigenous ecological knowledge, the design diverts youth from punitive systems toward cultural rehabilitation. The sweat lodge’s off-grid location respects ceremonial sovereignty, while the visible flowering roof transforms the site into a community landmark of hope, countering stigma through beauty.
JURY COMMENTS
This is a strong architectural solution that is quite evocative, conveying spiritual gravity with an architecture that emphasizes shadow and light, giving a calm and introspective character. The sweat lodge/medicine wheel references, traditional healing, elders’ involvement and the integration into the forest clearing context gives a culturally powerful design that is aligned with truth and reconciliation efforts.
THIRD PLACE
Women'Hub" 13 Kutupalong Camp (Bangladesh)
TEAM:
Manuchet Apichitwongnuchit, King Mongkut's University of Technology North Bangkok
Pattarawit Pattarawitchayanon, King Mongkut's University of Technology North Bangkok
Satayu Kamsra, King Mongkut's University of Technology North Bangkok
Tossaphon Dernprai, King Mongkut's University of Technology North Bangkok




DESCRIPTION
This design offers a place of hope for all women equally, elevating dignity and uniting the strength of women in Camp 13 together. This space is the starting point for healing body and mind, learning, career development and the sustainable growth of women’s communities. A safe zone for women is at the heart of the scheme, surround by, and protected by, community spaces and programs including a market, learning spaces, workshops and clinics.
JURY COMMENTS
The scheme’s clear organization is its strongest attribute. A safe space for women, The Hub, with a protective buffer, provides community support space for rehabilitation, skill building, and food/clothing production. Locally-sourced rapidly renewable materials are assembled in a modular framework by community‑led construction methodology that is both adaptable and recyclable. Attention has been paid to crime prevention through environmental design (CPTED) principles. The scheme is clearly presented graphically; however, the jury felt the narrative could have been more fully developed.
HONORABLE MENTION
Rain & Recovery (Canada)
TEAM:
Alyssa Lee, University of Waterloo




DESCRIPTION
This project responds to the toxic drug crisis among youth in Vancouver’s Downtown Eastside, a neighbourhood at the epicentre of toxic drug related deaths, addiction and systemic neglect. Sited on a narrow infill lot currently occupied by an abandoned restaurant, the design demonstrates how even compact spaces can become welcoming, multi-purpose third places. Its central location at the core of the crisis ensures accessibility for vulnerable populations, many of whom lack a safe and dignified environment to not only get help, resources and supplies, but also to simply enjoy their youth. The building is a hybrid library, community hub, and wellness centre. Generous skylights and exterior glazing maximize daylight in Vancouver’s often overcast climate, while a central rain garden courtyard uses the region’s frequent rainfall as a sensory healing experience.
JURY COMMENTS
This modest urban infill project proposes a central rain garden as the key organizing device. The prime program components – a library, community hub, wellness centre and an Indigenous gathering space – are arranged around this central courtyard. Taking a positive spin on the often grey weather in Vancouver, the scheme proposes creating a sense of health and wellness, utilizing the soothing sound of rain within the courtyard, as a sensory healing experience The rain is also collected and utilized with the facility. The scheme is well resolved at both a facility scale and at an urban scale. The narrative is clearly articulated and the concept is well presented.
HONORABLE MENTION
Home-Rest (Thailand)
TEAM:
Jatupaj Rojjanasaroj, King Mongkut's University of Technology North Bangkok
Yasumin Muangam, King Mongkut's University of Technology North Bangkok
Noossira Suanyeam, King Mongkut's University of Technology North Bangkok
Phattarapron Suwanwattana, King Mongkut's University of Technology North Bangkok
Kanyakorn Usutha, King Mongkut's University of Technology North Bangkok




DESCRIPTION
Thailand faces an ongoing homelessness issue, with 2,719 people currently without stable housing, 1,271 of whom are in Bangkok. This project proposes a transitional shelter that emphasizes purpose over permanence. Residents can stay for a limited time, typically 3-6 months, during which time they must create a life recovery plan with staff, focusing on personal development and reintegration. The shelter includes a follow-up system to monitor residents after they leave, ensuring they can live independently. Contraceptives such as condoms, pills and implants are provided as part of health services. Shared spaces include dining areas, bathrooms, showers, laundry facilities and free Wi-Fi. Residents are temporarily registered at the address and live under a rental-only model, with a monthly rent of just 200THB, reinforcing the temporary nature of their stay. The design also features colourful “Refun” kiosks that allow recycling for cash, combining sustainability with small income opportunities. This shelter is not just a place to stay, but a space designed to support recovery, dignity, and transition back into society
JURY COMMENTS
This project addresses Thailand’s ongoing homelessness issue with a transitional shelter located under an expressway - underutilized real estate in most urban areas globally. The shelter consists of a collection of structures built out of a modular pipe and joint system, housing shared community integration programs, dining areas, services and educational programs, in combination with individual tenant-built housing units. It is a virtual village beneath the expressway.
The project features strong graphics at multiple scales and a clear narrative. The modular design is compelling with good sustainability implications allowing flexibility over time. The concept of overlooking spaces is appreciated. There was some question about the ability to achieve the desired “serene healing space” given the noisy context, and the unrealized potential for more integration into the broader community.
HONORABLE MENTION
Just a Little Bit of Faith (Canada)
TEAM:
Daniel Lam, University of Toronto




DESCRIPTION
An existing church/community centre in Toronto, Canada serving the local homeless population is the subject of study, revealing how it is stepping in where other systems are falling short, offering food, shelter and care, but in an ad hoc manner without appropriate architecture to support it. The project proposes a series of site-specific phased interventions that embrace what is improvised and contributing to helping the programs to work better, making small spatial changes that reduce stress, improve safety, and let care continue with dignity. Together, these moves reduce conflict between programs, create interior waiting areas, and allow for better flow between eating, resting and gathering.
JURY COMMENTS
The jury praised the modest solution and the potential for profound impact with a restrained approach that consists of modest, low‑cost architectural interventions to enhance the ongoing programs. There is evidence of deep research and intimate understanding of the site/program. The phased interventions allow continuity of existing functions. The result has strength, as well as modesty and humility, illustrative of an architecture that listens.
HONORABLE MENTION
Where the Dust Remembers (Botswana)
TEAM:
Thebe Osego Mogomotsi, University of Botswana


DESCRIPTION
Where the Dust Remembers Us, is an architectural response to the historic and ongoing spatial injustices experienced by the San people of Botswana- particularly those displaced from the Central Kalahari Game Reserve (CKGR). This project proposes a justice oriented community complex that not only addresses legal restoration, but also aims to revive cultural identity, spiritual connection to the land, and the everyday dignity of presence.
JURY COMMENTS
The scheme uses spatial form and character to express memory and belonging, encouraging healing in a poetic and sculptural composition. It is a sophisticated, textured, spatially inventive and crafted project that is grounded in the place and culture of the San people. The result is a successful and powerful alignment between the architectural forms and a strategy to address issues of lost communities, ancestral rights, and land tribunal issues.








